The hardest thing about rewriting is
Cutting the lines
I love. They may not ever
Contribute to the play but they have fizz.
They flow and snap
and entertain; they’re clever.
But clever is a paint job, not the house.
It should enhance
the inside, and not smother
Or contradict—like when your favorite blouse
Says one thing but
the outfit says another.
It’s all about the structure, and rebuilding
Out from the
inside till it’s all one whole,
With solid levels, no excessive gilding,
And architectured
lines. My writer’s goal:
To make with my
clawed hand and Vision pen
Something I
won’t have to rewrite again.
Copyright 2014 Matthew J Wells
1 comment:
Well said, although I looked up "architectured." Oh, all right.
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